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Trio Settecento

 

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Rachel Barton Pine, violin

John Mark Rozendaal, viola da gamba

David Schrader, harpsichord

Recent and Current

Trio Settecento will appear at the Boston Early Music Festival on June 15, 2007.

Check for details in the Calendar.

The Trio made its New York City debut at The Frick Collection in August, 2006. The concert was recorded for broadcast on WNYC, and reviewed by The New York Times.

(Click on the links to hear the broadcast and read the review.)

In December, 2006, Trio Settecento played recording sessions for the first of a projected series of CDs on Cedille Records. The disc, entitled "An Italian Sojourn," features baroque sonatas by Castelllo, Stradella, Corelli, Veracini and others, and is scheduled for release in Autumn, 2007.

Biography

The members of Trio Settecento came together in 1996 to record the complete violin sonatas of George Frederick Handel. Since the release of that critically acclaimed disc, the Trio has been heard in recitals throughout the Midwest. Performing on instruments of rare beauty and expressive power, the three virtuosi breathe life into musical masterpieces that capture the dramatic intensity of the Italian Baroque, the poetic gestures of the French school, and the profound humanism of J. S. Bach, Mozart and Beethoven. Trio Settecento's passionate and authoritative interpretations renew the pleasures of hearing beloved music from the Age of Enlightenment while also revealing the delights of new discoveries. Their imagination, vigor, technical polish, and historical insight have made the Trio's performances appealing to audiences and critics alike. All three members of Trio Settecento are dedicated pedagogues. The trio regularly teaches workshops including an annual Baroque Festival at The Music Institute of Chicago.

A passionate musician, American violinist Rachel Barton Pine has devoted her life to music. A former prodigy with an active performing career since age seven, she has appeared as soloist with many of the world's most prestigious ensembles and worked closely with many renowned conductors including Zubin Mehta, Erich Leinsdorf, Neeme Jarvi, Semyon Bychkov and Placido Domingo. Acclaimed collaborations include appearances with Daniel Barenboim, Christoph Eschenbach and Mark O'Connor. She has been involved in historically informed performances of baroque and classical repertoire since age 14, including collaborations with David Douglass, Elizabeth Wright, Marilyn McDonald and the Chicago Baroque Ensemble.

Ms. Pine's 2004-2005 season began in June with her return to the Marlboro Music Festival, followed by engagements with the Philadelphia Orchestra and Charles Dutoit and the Grant Park Orchestra with Carlos Kalmar. In October, Ms. Pine performs on Minnesota Public Radio's Saint Paul Sunday Morning playing the world premiere of Augusta Read Thomas's Rush, written for the artist. Recital appearances include Reno, NV and the Supreme Court in Washington, DC. Ms. Pine also appears as soloist with the Tucson, New Mexico, Elgin, Puerto Rico, Southwest Michigan, Valdosta, Rockford, and Coeur D'Alene Symphonies and Illinois Philharmonic. In April 2005, Ms. Pine tours with the West Virginia Symphony in performances of Vivaldi's Four Seasons.

Ms. Pine's latest disc, Solo Baroque, highlights two of Bach's masterpieces for unaccompanied violin, along with key works by Biber, Westhoff and Pisendel. Released in September 2004, it is her sixth album with Cedille Records. Her next release in spring 2005 includes Bruch's Scottish Fantasy with the Scottish Chamber Orchestra. A recording of Brahms and Joachim Concertos in collaboration with the Chicago Symphony Orchestra and conductor Carlos Kalmar was released in June 2003. Featuring performances of both Joachim's and Ms. Pine's own cadenzas, the album was nominated for a 2004 GRAMMY Award as "Best Engineered Album, Classical."

Ms. Pine holds prizes from several of the world's leading competitions, including a gold medal at the 1992 J.S. Bach International Violin Competition in Leipzig, Germany. She was the first American and youngest person to ever win this honor. In June 1996, Ms. Pine was one of the torchbearers in the Olympic torch relay and has performed her own arrangement of the national anthem at Chicago Bulls playoff games and the Democratic National Convention in Chicago. She was featured on CBS Sunday Morning and has twice appeared on the Today show. Ms. Pine was named "Classical Entertainer of the Year" at the 2003 and 2004 Chicago Music Awards.

When performing with Trio Settecento, Rachel Barton Pine plays a rare 1770 Nicola Gagliano violin in original, unaltered condition. A Chicago native, Ms. Pine began violin studies at age three and made her professional debut four years later. She currently resides in Chicago with her husband.

John Mark Rozendaal specializes in teaching and performing stringed instrument music from the Baroque and Renaissance eras. As founding Artistic Director of Chicago Baroque Ensemble, JMR performed and led seven seasons of subscription concerts, educational programs, radio broadcasts, and recordings for the Cedille and Centaur labels. Rozendaal served as principal 'cellist of The City Musick, and Basically Bach, has performed both solo and continuo roles with many period instrument ensembles, including the Newberry Consort, Orpheus Band, and the King's Noyse/Boston Early Music Festival Violin Band, Parthenia, The New York Consort of Viols, and the Catacoustic Consort. JMR performs as a member of Trio Settecento with violinist Rachel Barton and harpsichordist David Schrader; and with The Empire Viols. Mr. Rozendaal's viola da gamba playing has been praised as "splendid" (Chicago Tribune), and "breathtaking" (Sun-Times). JMR is Artist-in-Residence at the Harvey School, a college preparatory school located in Katonah, New York; and director of the Viola da Gamba Dojo classes meeting in Manhattan and at the Harvey School. Mr. Rozendaal performs on a rare viola da gamba made by William Turner in 1650, and an 18th-century Tyrolian violoncello.

Equally at home in front of a harpsichord, organ, piano, or fortepiano, David Schrader is "truly an extraordinary musician ... (who) brings not only the unfailing right technical approach to each of these different instruments, but always an imaginative, fascinating musicality to all of them" (Norman Pelligrini, WFMT, Chicago). A performer of wide ranging interests and accomplishments, Mr. Schrader has performed with the Chicago Symphony Orchestra, the Dallas Symphony Orchestra, the San Francisco Symphony Orchestra, and the Colorado Symphony Orchestra. He has also performed at the prestigious Irving Gilmore Keyboard Festival (performing separate concerts on organ, harpsichord and clavichord), and, at the Ravina Festival, the Aspen Music Festival, Oulunsalo Soi Music Festival in Oulu, Finland, the Michigan Mozartfest, the Connecticut Early Music Festival, the Manitou Music Festival, and as soloist and conductor at the Woodstock Mozart Festival.

A resident of Chicago, Mr. Schrader leads an active musical life at home performing regularly with Music of the Baroque, the Newberry Consort, and Bach Week in Evanston. Mr. Schrader has appeared with Chicago Chamber Musicians, Contemporary Chamber Players, Chicago Baroque Ensemble, and The City Musick. He is a frequent guest on WFMT radio (Chicago) on recordings and in live broadcasts as part of WFMT's "Live From Studio One" programming. Mr. Schrader has many releases on the Cedille label, on organ, harpsichord and fortepiano.

Mr. Schrader is on the faculty of Roosevelt University for performance and academic studies, and for 20 years, he has been the organist of the Church of the Ascension in Chicago.

DIANE SALDICK
225 E. 36TH STREET, NEW YORK, NY 10016
TEL/FAX 212-213-3430
DIANE.SALDICK@VERIZON.NET
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